CHOI HyunSeok
Korea Tomorrow 2014
This work began when I realized that there was something wrong with my feelings and reaction to record paintings displayed in a museum. The dictionary definition of record painting is a painting that realistically depicts a specific event and conveys its content visually. I wondered if the countless record paintings that have been made meet this dictionary definition. I doubted that we have exploited such record paintings to express our consciousness of authority in the frame of facts. This idea can be backed by reviewing the intent of the people who produced typical Korean, Chinese, and Japanese record paintings. The National Treasure of China No.1 Along the River During the Qingming Festival(Qingming Shanghe Tu) was painted by order of Emperor Huizong who had asked to contain the world. Japanese painters produced numerous record paintings to extoll imperialism. An example from Korea is Hwaseong-haenghaeng-do by Kim Hong-do by the order of King Jeongjo who intended to raise the authority of Prince Sado, his father. I realized that countless record paintings were made for the manifestation of authority. My work can be said to be an attempt to envisage another new potential in contemporary art by returning record painting, a taxidermic representation of authority, to its pure original meaning.
CHOI HyunSeok
Born in 1985, Gwangju, Korea
EDUCATION
2013 M.F.A, Korean Painting, Choong-Ang University, Korea
2011 B.F.A, Fine Arts, Seowon University, Korea
SELECTED SOLO EXHIBITION
2013 RAN(կ), Cheongju Art Studio, CheongJu, Korea
2012 Record Mind-Face up to the Reality, Artspace H, Seoul, Korea
SELECTED GROUP EXHIBITION
2014 NEXT CODE, Oreatlon Oenter of Daejeon Museum of Art, Daejeon, Korea
PUBLIC ART “NEW HERO”, Hannam-dong Blue Square NEMO, Seoul, Korea
Artist – Death song, HanWon Museum of Art, Seoul, Korea
2013 Autofiction-And resist the temptation of Korean Painting, Gallery is,
Seoul, Korea
2012 HanJi Project New York, Rubin Museum of Art, NY, Chelsea, USA
AHAF HK12 Young Artists VIP, Mandarin Oriental, Hongkong, China
Occupation, Cheongju Art Studio, CheongJu, Korea
VIP(Very Important Painting), KimiArt, Seoul, Korea
2011 ASYAAF(Art, coming to my life), Hongik University Museum of Art,
Seoul, Korea
Dongbangyogoi – Best of Best, Sangsangmadang Gallery, Seoul, Korea
TOMORROW 2014
Part 1 DESIGN TOMORROW : Sprout(Bal-a, 發芽)
Part 2 ART TOMORROW : Culture Print