KIM InBai

Making fine and colossal movements while both silent and fluid, the skin is just a physical vessel and the power that cuts through the air. Stillness deepens turbulence to an unexpected direction and order becomes the source of explosion at the intersecting point of turbulence. The reasoning of those who try to stop this movement turns this natural phenomenon into a supernatural one. Classification, understanding, and reasoning are all conspiring mechanisms of deactivation. After all, the exit out has probably already been made, and one may ask again “for whom does one insinuate to such extent.” However, you probably can’t deny that it’s a bid for victory you’ve already considered before making, since it’s something that can’t be busted even when shown nor be concealed when hidden

KIM InBai
Born in 1978, Seoul, Korea

EDUCATION
2009 M.F.A. Dept. of Sculpture, College of Fine Arts, Hongik University, Seoul, Korea
2003 B.F.A. Dept. of Sculpture, College of Fine Arts, Hongik University, Seoul, Korea

SELECTED SOLO EXHIBITION
2014 Eliminates Points, Lines and Planes, ARARIO GALLERY, Seoul, Korea
2011 Turbulent O’Clock, ARARIO GALLERY, Cheonan, Korea
2010 Turbulent O’Clock, DOOSAN Gallery, New York, USA
2007 Move in Earnest, ARARIO GALLERY, Seoul, Korea
2006 Stand on the Edge of Dimensions, Gallery Skape, Seoul, Korea

SELECTED GROUP EXHIBITION
2014 New Scenes, Seoul Musum of Art, Seoul, Korea
2012 RE-OPENING DOOSAN GALLERY SEOUL, Doosan Gallery, Seoul, Korea
2011 Epilogue : On the border, Gyeonggi Museum of Modern Art, Ansan, Korea
2008 Ancient Futures, Nam Seoul Annex Building of the Seoul Museum of Art, Seoul, Korea
2006 Wake up Andy Warhol, Gallery Ssamizi, Seoul, Korea
Drawn to Drawing, Soma Drawing Center, Seoul, Korea
Living furniture, Busan Biennale, SK pavilion, Busan, Korea
2005 Project ‘I’, Art Center Nabi, Seoul, Korea
Portfolio 2005, Seoul Museum of Art, Seoul, Korea
2004 Sema 2004, Seoul Museum of Art, Seoul, Korea